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The first female translator of the epic into English in over sixty years, Stephanie McCarter addresses accuracy in translation and its representation of women, gendered dynamics of power, and sexual violence in Ovid’s classic. A Penguin Classic Hardcover Ovid’s Metamorphoses is an epic poem, but one that upturns almost every convention. There is no main hero, no central conflict, and no sustained objective. What it is about (power, defiance, art, love, abuse, grief, rape, war, beauty, and so on) is as changeable as the beings that inhabit its pages. The sustained thread is power and how it transforms us, both those of us who have it and those of us who do not. For those who are brutalized and traumatized, transformation is often the outward manifestation of their trauma. A beautiful virgin is caught in the gaze of someone more powerful who rapes or tries to rape them, and they ultimately are turned into a tree or a lake or a stone or a bird. The victim’s objectification is clear: They are first a visual object, then a sexual object, and finally simply an object. Around 50 of the epic’s tales involve rape or attempted rape of women. Past translations have obscured or mitigated Ovid’s language so that rape appears to be consensual sex. Through her translation, McCarter considers the responsibility of handling sexual and social dynamics. Then why continue to read Ovid? McCarter proposes Ovid should be read because he gives us stories through which we can better explore ourselves and our world, and he illuminates problems that humans have been grappling with for millennia. Careful translation of rape and the body allows readers to see Ovid’s nuances clearly and to better appreciate how ideas about sexuality, beauty, and gender are constructed over time. This is especially important since so many of our own ideas about these phenomena are themselves undergoing rapid metamorphosis, and Ovid can help us see and understand this progression. The Metamorphoses holds up a kaleidoscopic lens to the modern world, one that offers us the opportunity to reflect on contemporary discussions about gender, sexuality, race, violence, art, and identity. Review: perfect for school - used for a school project was really good quality Review: Brand new translation - Haven’t finished it yet but loving every bit.
| Best Sellers Rank | 97,189 in Kindle Store ( See Top 100 in Kindle Store ) 28 in Women's Poetry 41 in Poetry Anthologies (Kindle Store) 48 in Epic Poetry (Kindle Store) |
L**R
perfect for school
used for a school project was really good quality
L**N
Brand new translation
Haven’t finished it yet but loving every bit.
S**S
A beautiful translation
I am in awe of the flexibility and richness of this translation.
B**5
How lovely was her grace, when death graced her loveliness?
I’ve read a couple different translations, but I’ve got to say this is my preferred edition for teaching it. The translator does a masterly job of remaining faithful to the original text but at the same time making it accessible for readers.
D**E
METAMORPHOSES -ONLY BOOK NEEDED IN EVERY STUDY TABLE
Great book. Package was excey
J**A
Sem qualquer acabamento.
O livro chegou sem qualquer acabamento, sem refilar. Capa de um papel de baixa gramatura. Péssima qualidade!
N**R
Very Readable Classic
New English translation from Latin of the classic poet/writer Ovid. The Metamorphoses is a retelling of classic Greek and Roman myths, from Ovid's particular point of view. His ironic style indirectly pokes at the ego of his contemporary, Emperor Augustus. His descriptions of the beauty and power of nature are vivid. Most notably, he uses his imagination to create inner monologues in the minds of classic heroes and heroines, giving them a more 3-dimensional image to the modern reader.
S**O
Excellent
Interesting translation approach
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