HeadRush Flex Prime エレキギター用 マルチエフェクター

NAMにも対応しとても音質が良いです。画面が小さいのでペン先が細いタッチペンがあるとストレスなく使えます。オーディオインターフェイスの代わりにもなるので、PCとUSB接続し、YouTubeを再生しながらヘッドホンで練習することも可能です。とてもおすすめです。

パッチの音はクリアですね。特にメサブギの音が本物に近いかどうかはさておき金属的な響きで気に入っております。

日本語マニュアルはありません 最新プロセッサーだけあって、キャプチャーならクラウドまで何でも出来ますが、やり方が分からないという本末転倒 英語のユーザーガイドが公式HPからダウンロードできますがそれすら探すのは一苦労 いまChatGPTで翻訳版を作成してますが、内容ざっと確認してもユーザーが知りたいことはほとんど書かれていないと思います タブレットでプリセット編集とありますが、接続法すら書かれていませんし、編集画面の出し方もありません が、音はいい！使い方分からなくても、音がいい！これに尽きます！ 使い方はいじって覚えるんだ！笑

Prima werkend systeem voor Bas

beğendim.

L’appareil qu’il faut avoir pour celui qui aime l’ultra qualité. Pas assez d’éloges pour cet appareil qui me comble au quotidien sur mes 5 guitares et basse. Je n’utilise que 13 presets très finement réglés selon mes goûts (vintage, son rond et chaud légèrement crunchy qu’aucun multi n’a su m’apporter jusqu’ici) Connexion Bluetooth et Wifi géniales pour MAJ et contrôle distant. On peut aller très loin dans les sons bizarres, mais là où il excelle c’est dans les sons faiblement crunchy avec reverb et Delay avec simulation de stack Marshall. Son soliste en disto sur le même concept assez hallucinant, 0 bruit de fond et sustain infini avec une profondeur et une rondeur de son inédites. Headrush a mille lieux des Boss et autres Zoom de même format. C’est plus cher, mais mieux vaut payer une fois et en prendre plein les oreilles que de changer d’appareil tous les 3 mois sans jamais être satisfait… (on pourrait étendre ce concept sur tous les objets de Consommation…)

Excelente producto en todos los sentidos, super recomendado. Llegó en tiempo y forma, llevo usándolo un par de semanas y funciona a la perfección. Superó mis expectativas, a pesar de ser una pedalera muy compacta es muy completa ya sea para practicar en casa o para tocar en vivo. El software es muy intuitivo y fácil de manejar. La pantalla es un poco pequeña para realizar ciertas configuraciones pero ofrece una excelente opción de edición en linea así que se pueden realizar ajustes desde tablet o computadora en tiempo real.

I love the tones I hear on recordings of my favorite guitarists. THOSE are the sounds I want to hear when I’m playing. So my new ‘rig’ is a powered FRFR cabinet being fed by a digital modeler front end. I tried the $399 Tonex unit and found it mostly excellent except that it isn’t a true modeling amp but rather a unit built around specific tone samples. Some were fantastic, others much less so. The unit also had a handful of basic effects to complement those samples. In contrast, and for only $100 more, the HeadRush Flex Prime uses meticulously crafted models of LOTS and LOTS of actual popular amps, effects, cabinets and IRs too. I finally have the full spectrum of guitar tones spanning from the 50s through today, accurately and faithfully reproduced, right down to the feel of how the tones respond to my fingers, pick, dynamics and note muting techniques. I am currently feeding it into my Spark FRFR cabinet and it sounds terrific, and ay all volume levels too. Getting satisfying, album-like tones at low volume levels is one of the benefits of using a FRFR based system. A conventional tube amp has to be cranked to ear-splitting levels to get the tones we crave, but that our wives and neighbors hate to also have to listen to. This unit supposedly has the exact same technical innards and sound models as the bigger, more expensive HeadRush units, and each tonal patch allow up to fifteen ‘blocks’ including an amp and cab, and are almost endlessly tweakable, but easily and in instantly musically ways. I’ve had it now for about a month and have already created the dozen or so patches I need to cover 90% of what I need. The learning curve is about an hour, but the combinations of tonal elements near infinite, and so I’ve barely scratched the surface. But the results are accurate, satisfying and most importantly, INSPIRING! You just want to play for hours! But it doesn’t stop there. Included is their ‘Revalver 5.0’ software, a program where you can modify amp models’ internal circuitry and build rigs that can ultimately be transferred to your physical unit. There’s also their ‘Amp Cloner’ software for capturing your own amps’ tones should you have a specific amp sound you’d like to take everywhere you go without having to lug your heavy tube amp head/combo and half/full stack. I’m just getting into these so look for a follow-up review in another few months. Is the experience the same as standing in front of a raging stack blasting at 120 db while your pant legs flutter? No. But in my mind it’s better. You get to hear the tones you’re actually chasing, like you hear on the albums, at any volume you want. And they sound right because this little box has accurate models of the amps that created them, not just the one or two tones your stack provides.