ZHIYUN MOLUS G300 [Official], 300W COB Bi-Color LED Video Light, Bowens Mount, 500W MAX Extreme Mode, App Control, Ultra Quiet, 2700K-6500K, CRI 95+ TLCI 97+ 15500Lux/1M,14 Lighting Effects

Después de más de un año utilizando la Zhiyun MOLUS G300, puedo decir sin dudar que es una luz que me ha impresionado en todos los sentidos. Su potencia, portabilidad y resistencia la convierten en una herramienta imprescindible en mi equipo de trabajo para producciones de video y fotografía.Una de las cosas que más destaco es su diseño compacto, especialmente para la potencia que ofrece. A pesar de su tamaño reducido, tiene una salida de luz impresionante que fácilmente compite con luces mucho más grandes. Esto la hace perfecta para trabajar en locaciones con poco espacio o cuando necesito movilidad sin sacrificar rendimiento.En cuanto a resistencia, ha soportado todo tipo de condiciones: cambios de temperatura, traslados constantes, y largas jornadas de rodaje. No ha mostrado ni una señal de desgaste, y siempre responde con total estabilidad. Se nota que está construida para durar.Lo que más me gusta es su versatilidad creativa. Tiene controles precisos, buena reproducción de color y compatibilidad con distintos modificadores gracias al adaptador Bowens incluido. Me permite iluminar retratos, entrevistas, escenas dramáticas o incluso fotografía de producto con resultados profesionales.Además, el control inteligente y la respuesta rápida hacen que trabajar con ella sea muy cómodo, especialmente en producciones donde cada minuto cuenta. Es una luz que no solo cumple, sino que eleva el nivel del set.En resumen, la Zhiyun MOLUS G300 ha sido una inversión más que acertada. Compacta, potente, resistente y versátil —lo tiene todo. Si estás buscando una luz confiable para trabajos serios en foto y video, esta es una opción que no decepciona.

Excelente

I keep two of these in my case for travel video jobs. Nothing to really complain about. I would love to see a version 2 that allows us to power via V-mount battery though but other than that these lights are great.

Solid piece of gear with some great features. First off, the size and portability are awesome—it’s super easy to pack and carry around, which is a big win if you’re always on the go. The power it packs is impressive too. The ability to bump it up to 500W is just wild, and it doesn’t seem like it struggles at all (no limits on time from my testing). You can really light up a scene with this thing!But, there are a couple of downsides. The biggest one for me is the case—or lack of one. You basically have to keep the original box it came in if you want to store it or take it anywhere, which doesn’t feel very pro. I wish they had thrown in a proper case. Also, it runs hot. Like, really hot. Every time I use it on set, people start getting a little sweaty, which isn’t ideal.Overall, it’s a great light with a lot of power and portability, but it’s got some room for improvement, especially in the case department and heat management. Still, it’s worth considering if you need a powerful and portable light.

I was using Aputure 300D Mark II lights for traveling and they’re too big and bulky. I picked these up and get the same quality light in a MUCH better space. Plus the Max mode gives me more light output when I need it. For me, size was the key and I can fit like 4 of these in the same space as the head/ballast I had been using. I wish the cables weren’t proprietary but not much you can do about that these days.

The media could not be loaded. I am honestly blown away how small and compact this is when I receive the product. Anyway here is my take on this. This product has a very unique approach that a normal constant light would have. As the usual way, like my Godox SL60, it has this big long body that carries all the lights supplies and had a handle at the back that is very comfortable to hold and to carry around. However for this product, it prioritize the size more more than anything else but made sure that it is compact that carries a pack of light than the other competitors and to me it tells the truth.This small and mighty video light definitely shine anything in its way! it even has the options to change light temperature for other usage. I don't do a lot of documentary videos or expert in technical specs however I can attest that this product is worth the money for a very small production or big if you want if it combines with the right lights.I do however had some concerns that might affect the use of this product and might worn out faster than the usual standard way. Ie, the knobs for tilting and locking the lights to the stand. I am very rough when it comes to tightening the knob for safety purposes and also when adding softbox which adds weight in front. The plastic matte material is another concern, but this is what you are getting for a relatively cheap type of lights and same goes with the other brands like my Godox SL60. As mention, they do prioritize the more portable type of lights than anything else so I don't mind that much. For whatever you are getting, the light, power, and even case. it is worth it.In the end, the potential for this type of design is definitely an eye opening for other brands for them to reduce the weights for their lights while keeping it compact and Zhiyun is on the lead. My G200 definitely is worth the value and will definitely be able to use them in a lot more future projects than my SL60.