Lost Revolutions: The South in the 1950s Paperback – Illustrated, April 28, 2000

Carefully researched, impartial, well written history of the American South from the "50s to the "70s.

The 1950's South was both a time and a place of contradictions. On the one hand, there was a cultural revolution going on that fused both white and black musical tastes into one revolutionary music genre (rock 'n' roll) and a political revolution that went on (integration) which made the cultural achievements seem to pale in comparison. In essence, the South of the 1950's was a confusing maelstrom of contradictory policies and failed opportunities for peaceful change.So argues Pete Daniel in his book "Lost Revolutions: The South in the 1950's". Daniel's thesis is that the South offered ripe opportunities for change during the immediate post-World War II era but these opportunities were overlooked by the fact that warring factions between African-Americans and whites prevented to make important cultural revolutions make a difference in the political spectrum. These important cultural revolutions consisted of: the importance of rhythm and blues in forging feelings of appreciation between blacks and white country and western singers, the rise of NASCAR as a unifying factor among lower-class whites to challeng the hegemony of the white middle and upper-classes, and, finally, the rebeliousness exhibited by both white and black youth to forge a new consensus for political change. Daniel's book does an excellent job of explaining both why there were contradictions in Southern society and how these contradictions contributed to a painfully fought battle for integration and equal rights. This is a battle which is still being fought today but more on a state's rights and regionalistic front than a racial front.Daniel's book is a true lesson in primary source research and his endnotes clearly demonstrate this. Interviews, 4 pages of manuscript collection sources, and numerous prominent secondary sources fully back up a thought-provoking thesis. This book is a welcome addition to southern historiography.

An interesting account of a very important time in the South. I wish the author had spent a little more time on the music and cultural changes going on but that's really my only complaint. He does tie things together pretty well.