The Painted Bird

Jerzy Kosinski ist mit den Jahren leider ein wenig in Vergessenheit geraten. Sein Debütroman "Painted Bird" schildert die Weltkriegsjahre in Polen. Dabei schlüpft Kosinski in die Ich-Erzähler-Rolle eines kleinen Jungen, der von seinen Eltern auf dem Land untergebracht wird, um den Kriegshandlungen in Warschau zu entgehen. Die Landbevölkerung machte den Jungen wegen seines Aussehens zum Outcast, man gewärtigt, er sei Jude oder Zigeuner. Vorurteile kommen zum Tragen, auch die Angst vor Repressalien der deutschen Besatzer spielt mit hinein. So zieht der Junge von Dorf zu Dorf bis am Ende das russische Militär in Polen einmarschiert und die Familie wieder vereint wird. Der literarische Kunstgriff Kosinskis besteht darin, die Absurditäten von Krieg und Antisemitismus aber auch den Aberglauben der einfachen Leute und die rückständigen bäuerischen Rituale durch die Augen eines Kindes zu sehen, das zunächst einmal alle Erklärungen für bare Münze nimmt. So werden der ländliche Hexenglaube, der Rassenhass des Nationalsozialismus und der Partei- und Personenkult des Kommunismus naiv-positiv geschildert und dabei satirisch durch den Kakao gezogen. Natürlich wurde das vor mehr als 60 Jahren erschienene Buch in der Sowjetunion und in Polen sofort verboten. Es gewinnt in Zeiten zunehmender Radikalisierung und Spaltung europäischer Gesellschaften leider wieder an Bedeutung. Exzellent geschrieben ist es ohnehin. Ein großes Buch!

The edition is very good, but the novel didn't really impress me.

Shocking, honest, tragic but in the wake of darkness, death and despair, there can be hope. Do you dare to read about it? It felt autobiographical at times.

I here set aside all issues with authorship or biography. Equally, I set aside the history of this book's reception and the discourse that arose around this book after publication, a discourse that first defined the book as one of the great texts of Holocaust literature and then castigated the book as a fraud of Holocaust literature. Both those receptions are false to the book itself and speak only of what others would have had of the book.While the book takes place in occupied Poland during WWII, this book is not about WWII. It is not a book about the Holocaust: indeed, "Jewishness" plays at best a trivial role in the book, and the camps but a minor role. Nor is this book an indictment of Nazi Germany: if it were it seems rather odd that an SS officer is one of the kinder people toward the boy (the unnamed, main character of the book). But then it is entirely false to the book itself to try to read it as an historical narrative._The Painted Bird_ is, rather, a mythic tale, in many ways told in the nature of a European fairy tale. It is the story of a mythic hero cast by circumstances outside his control into a symbolic "journey through hell": beginning in what to all purposes are medieval peasant villages, then moving loosely through time into the larger "village" that is the communism of the Russian liberators. (But not moving "historically" through time; in this strange world there is no past or present; just the mythic now.) The question here is not whether the boy will survive the journey or be killed: the question is whether he will emerge the mythic hero on the other side of the journey, or fail and become lost, permanently, in the dark otherworld. To that end, there are two, primary, greatly inter-related energies within the book. The first is that which goes to painting the Bosch-like (not my phrase, but a good one) vision of hell. The second lies in the philosophies of being that the boy encounters, that he learns directly or indirectly through those individuals he meets on his journey. It is through these philosophies of being that the boy seeks not only the means to endure the physical difficulties of his journey, but more importantly -- and here we get to the central conflict of the book -- the means to maintain his individuality against the cruelties of cultural groups that at its core cannot tolerate individuality. It is a book about painted birds, yes, birds that are destroyed by the flock because they are different. But it is also a book about how the birds get painted in the first place. Most importantly, it is a book about psychical individuality.The book is wholly a literary work: well conceived and designed and very well crafted. Yes, the violence is to the extreme, but it is well used to the end of pulling the book out of an historical world and into a mythic world. (Even within the violence and sex one can find mythic, fairy tale, and old-world-religious thematics.) If you can enter this work removing it from the discourse of Holocaust literature that tried to claim the book as its own, you will discover quite an aesthetic, literary experience. _The Painted Bird_ is literature of a higher caliber, and it deserves to be preserved and praised as such.To note: I use the idea of the mythic hero with the intention of the connection being made to such works as Jospeh Campbell's _The Hero with a Thousand Faces_. The more I think about _The Painted Bird_, the more resonance I find between the journey of Kosinki's boy and the mythic journey as described by Campbell. Those energies go all the more to the symbolic and literary value of the work.Also to note, it is worth getting the second edition of the book (the current edition) so as to have the Afterward, written a decade after the original publication. In my edition the Afterward comes first in the text. I would recommend not reading it until after you have finished the book. In truth, the afterward is mostly about the reception of the book, not the book itself. As such, it may create false ideas that might be brought into the book. However, once you have read the book, the Afterward easily slips into its rightful context.

Feedback for the delivery of the package:Not sure if other have a similar experience; but I have often noticed that Amazon or their delivery partners would send emails/SMS and notifications that the item is out for delivery. However it would not come that day and only the next business day. It so happens that I was travelling on Sunday and needed this book (which was notified to be delivered on Saturday); I waited entire Saturday and alas no delivery (as I feared). Eventually it was delivered on Monday which put me in additional mess, since I to make sure that there was someone available to receive the package. Infuriating. I don't mind the delay usually; but at least stick to what you yourself promise.Feedback on the book itself:The book was in the mint condition and this helps when you are eagerly waiting to read it. Kosinsky describes the onset of WWII from the eyes of an innocent and young Jewish Boy forced off from his family and set adrift among the peasants of rural Poland. The boy, wide-eyed like a camera with its shutter perpetually open, witnesses the life and times (including brutal atrocities, degradation, social stigma, superstition) that defy the imagination. The title itself refers to the hobby of a man who likes to capture a bird, paint its feathers in different bright colors and free it amongst its former fellows (and as they tear it apart as an intruder).This surreal story of moral and physical depravity is made further gut-wrenching when viewed from the point of the view of a boy, who tries to make a sense of it all.