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The Zeiss Batis 2.8/135 MM Medium Telephoto Lens is a high-performance lens designed for Sony E-mount mirrorless cameras. With a fixed focal length of 135mm and a versatile aperture range of f/2.8 to f/22, this lens offers exceptional image quality and creative flexibility. Its advanced optical design includes eight low dispersion elements and an integrated optical image stabilizer, ensuring sharp, realistic portrayals of your subjects while minimizing shake.
Lens Mount | Sony E |
Lens Design | Zoom |
Maximum Focal Length Unit of Measure | 135 Millimeters |
Minimum Focal Length | 135 Millimeters |
Fixed Focal Length | 135 Millimetres |
Lens Coating Description | Multicoated |
Focus Type | Auto Focus |
Lens Type | 135mm |
Maximum Aperture | 2.8 Millimeters |
Compatible Mountings | Sony A, Sony E |
Lens | Telephoto |
Minimum Aperture | 22 Millimeters |
Real Angle Of View | 15 Degrees |
Photo Filter Size | 67 Millimeters |
Image Stabilization Type | Optical |
G**.
Il top di gamma, e si vede
La qualità costruttiva e la resa di immagine sono delle caratteristiche che fanno di questo 135mm una delle migliori lenti per ritratti in circolazione. La leggerezza e sicuramente la tecnologia offrono un range dinamoco senza eguali. Vero, non è f1,8 come i più costosi, ma ne guadagna in portabilità e versatilità e sicuramente f2,8 è un'apertura molto valita anche per delle applicazioni professionali.E' una lente che, se si cerca la quasi perfezione e si è orientati a ritrattistica, non ci si può esimere dall'avere.
R**F
Un objectif vraiment parfait
Rien à dire, cet objectif est parfait, avec du caractère Zeiss.
A**L
Batis 135mm
Tiene una calidad excepcional (lo esperado de Zeiss, por otra parte). Es muy ligero, no llega a los 700gr y es bastante compacto. Lo cual lo hace un objetivo ideal para viajar, aunque yo lo utilizo para trabajar en el día a día. El autofoco es preciso y rápido. La única pega que le pondría a la serie Batis es la falta de un botón en el propio objetivo (yo lo utilizo para retener el enfoque). A parte de eso, una compra 10.
L**3
Magnifique
Déjà 2 ans et il me suis partout
A**E
Great lens for portraits, medium range/telephoto and even landscapes
First off, I'm a newb at photography. I've used some disposable cameras, used my dad's P&S for a day or two, played around with a Canon Powershot S60 back in the day, and recently tried using a Nikon D5300 for a month or two. I didn't know how to use Photoshop until around the time I started taking photography somewhat seriously.I'm giving you my experience as a person learning how to shoot and use Photoshop from nearly 0/100. At the moment, I'd say I'm 15/100. Got this lens and the Sony A7III about 4 months ago.When the lens was delivered, I was super excited to finally have a proper set of lenses (25mm, 135mm Batis and a 50mm manual Loxia) to fool around with on an A6300 from my partner's job and the results were great on the APS-C camera. Compared to the kit lens that she brought home from work, the Zeiss had better colors, better low-light performance/less grain, better bokeh due to the larger aperture. We finally got the A7III and I started taking it out everywhere.But, let me rewind to the moment I got the lens out of the Amazon box.The packaging feels so premium and protective, I almost want to put the lens back in it every night. Getting the lens out and holding it in my hands left a major impression. I definitely gulped taking it out of the foam. I'd never held a lens that felt this premium in my life and the weight and solid feeling gave me a sense of quality. Compared to the Nikkor lenses we also own, the Zeiss makes me feel as though dropping it would destroy it. Whereas the Nikkor lenses feel like they could take the drop and be fine. Not sure if it's because I know we paid $1000+ vs $500 or the materials or both. The lens hood slips on pretty easily and can take a bump and a fall (oops).Using the lens was a bit of a challenge at first. I had an idea from reviews and using a telescope I'd need to stand back a decent bit. In tighter spots, like a small museum, home, or studio, it might be a pain to use and a 50mm or maybe 85mm might be a better choice so you can stand closer to the subject. Where this lens works for me is outside. I can shoot gigantic panoramas with the camera setup vertically and grab a lot of the details of buildings. I've shot birds off at a medium range using Super35 mode to get some extra reach and got decent results (a proper telephoto would be better though). Candid, outdoor portraits where you can move around and shoot are pretty amazing. The background melts away in bokeh or dial the aperture down and get a bit more surrounding detail -- it's all very smooth.Autofocus and auto eye focus is pretty fast (compared to Nikon D5300) and manual focus is decent too, but I wish the ring was more textured. Focus assist and peeking helped me a lot to manually get tack sharp pics with eyes in focus. Can't say I heard any noise from the lens when it was autofocusing at any point.I can't say for sure if it's worth the price for everyone and it is heavy and yes you would have to stand back more if you're doing portraits, but it is very capable of producing lovely pictures in quite a few scenarios. I'd say skip it if you don't have other, shorter focal length lenses so you can shoot in tighter spaces with less of a hassle. For those that want to do some wildlife, more candid portraits and maybe those crazy detailed panoramas, this is pretty good at those things.
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