Pocket Cinema Camera 6K (Canon Ef/Ef-S), Black, Cinecampochdef6K

Unica nel suo genere! Perfetta per video professionali! I videomakers non possono fare a meno di questa meravigliosa macchina !

Caméra exceptionnelle, je fais que des éloges sur cette caméra aussi bien sur les caractéristiques vidéo que sur la fabrication, seul petit bémol est le logement exigu de la connectique extérieure surtout pour la prise d'alimentation avec sa prise avec bague de serrage très difficile à tourner (avec mes doigts de fée) et le bruit de fond du ventilateur que l'on enregistre en utilisation des micro internes, mais encore BRAVO à BLACKMAGIC pour cette 6K utilisant les objectif CANON EF, l'autofocus est un peu paresseux et il est nécessaire d'avoir des batteries de secours dans sa poche...

منتج جيد لكن البطارية لا تعمل بعد تجربة الكاميرا فصلت باور وضعتها بشاحن لكن لا تعمل لكن علي اي حال البطاريات عرضه للتلف من التنقل والحرارة شكرا لكم منتج رائع توصيل كان بالموعد المحدد

Muy profesional

The BMPCC is an extremely versatile camera with incredible picture quality. What you get out of the camera is the raw ingredients that when cooked in Davinci Resolve (full studio license included) produces amazing imagery. The 6K BRAW file format is what I shoot almost everything in as it captures the best resolution and picture that this camera can produce. The file sizes, although large, when you realise what it's captured (i.e. RAW at 6K) is quite impressive. I capture to the Samsung T5 2Tb SSD which has no problem. As a test I left it recording for 3 hours and that captured approx 600Gb. The menus are super easy and follow the same layout as other BM cameras. What I really like is the Zoom in function for critical focussing that allows you to really zoom in to check. The batteries don't last long, so make sure you have a supply or use an external power source that allows hot swapping if needed. It's easy to hold and isn't very heavy at all. I also really like the fact that if you plug in an external TC generator to the mic port, it automatically recognises it and sets the timecode. Taking the footage into Davinci Resolve gives you so much flexibility with regards to changing white balance, exposure, highlight recovery and of course colour grading. For delivery onto HD, which is still by far the most common delivery format I work with, the 6K image gives so many options for post production in terms of re-framing shots. This makes this an ideal camera for a single camera shoot where you can punch in to close ups in post without losing resolution. The new features of Davinci Resolve studio also mean that if you do zoom in, it can follow the subject using AI technology. The two products you get make for a formidable camera system. What I don't like is the fixed LCD screen, but I knew that when comparing against the 6K pro. To be honest, the upgrade to the 6Kpro to get this (and fixed NDs) just wasn't worth it for me. The 6K image is identical to the 6K pro.