Ragas in Indian Classical Music
J**I
A systematically rigorous deep-dive in a most poetic fashion
A**C
GREAT CONCEPTUAL ANALYSIS but needs serious QC
Great theoretical treatise. Solid practical supplements. Massive knowledge bank. Meticulous analysis. But really sloppy editing and terrible proof-reading - full of spelling+syntax errors and inconsistencies - need to be corrected in later editions; publisher/editors, hark!
D**N
Treasure-chest of knowledge
Just received the book & started reading. Great concepts explained which earlier I had no knowledge of.The spelling error in the cover title “HIDUSTANI” with a missing N is stark considering the fact that it was published first in 2010 & reprinted in 2017.
R**I
Learn Hindustani classical music in English
It is a good book written by a lover of indian classical music.It is useful for students of classical music in English language and gives knowledge of various Ragas in brief.
S**A
Not much deliberative on ragas, if shruthi of raga changes what would be the taal
Not much deliberative on ragas, if shruthi of raga changes what would be the taal
R**H
Four Stars
Everything okay, thanks.
A**O
Four Stars
Good contents
R**Y
Must have book for Hindustani music learners.
Worth purchasing...Good information about Raagaas.
R**N
Five Stars
Perfect
R**R
Highly recommended
A long time appreciation for Raga music compelled me to order this book. The language is concise and so far I find my concepts of musical form enhanced by the logical style of Anupam Mahajan. The vocabulary of Indian classical music is presented gradually ( along with some Western terms) & specific ragas & their moods are methodically introduced. A good read for musicians/composers looking to explore their craft through the lens of an accomplished Indian artist.
B**S
Five Stars
Very in depth and advance theories into HindustaniMusic
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