The Shining

Great classic! Love the book, love the movie.

Before I read King I had assumed he was an overrated, bloated author that had way too many movie adaptations of his works--in fact he has the Guinness World Record for most film adaptations of all time (no surprise). Then I read his `On Writing' book (because I am an aspiring fiction/horror writer) and I learned a lot. Big deal though, whoopie do, I still wasn't interested in his stuff . . . but something kept on nagging and nagging at me . . . something dark and tall; it was The Dark Tower: The Gunslinger. I cannot explain why; maybe it's because the book I was writing at the time seemed like it would benefit itself if I, my book's Writer, would step outside my comfort zone (Crichton, McCarthy, Matheson, Barker) and just try to read The Dark Tower: The Gunslinger. I finally read it because the cover looked sweet, not gonna lie. The ever-binding, story-interweaving Todash Darkness pulled me into the world of King. For instance, the Turtle is in It, and even mentioned in his most recent 11/22/63; and Todash Darkness--that vague conceptual, slightly existentialistic evil that makes a sound like rumbling chimes--which is also mentioned in "It"; and then there's Randal Flagg, Donald Callahan, Ted Brautigan, the Low Men and the Crimson King: all the former are uniting elements in many Stephen King books. And The Dark Tower series is a gateway drug to his other novels; and his other novels are a gateway drug to The Dark Tower--it's full circle, baby! But let's talk about The Shining, shall we, because that's why you're reading this. In his introduction for the novel King says that the decision to write (and how to write) The Shining was very crucial in terms of his career as a writer. You must understand that Carrie did not break any rules besides (this one) and it was very short, which is ideal for debut novels for any author. It was also original and shocking; another must-have. But Carrie wasn't necessarily epic or long lasting. Then `Salem's Lot was his second. He took risks with style, but nothing else; the pacing was fast, and he didn't get too deep into character history. What you knew about most of the characters were through immediate actions and thoughts. And the town itself was something he was familiar with, along with the people and the professions of the people. It was marketable. It worked. It was filmable. Then The Shining was written more of a character study about how alcoholism destroys marriages and relationships between fathers and their children. Most of the horror wasn't shown on a golden platter as it was in Carrie and `Salem's Lot; instead, the horror was suggestive. It was there, in the shadows, you could choose to see it or ignore it; it was subtle, but there. Then toward the end, that's when the fireworks begin to go off one after the other . . . but still, for my generation (twenty-somethings) and younger, many will pass up The Shining just because it takes a while to pick up the pace and, hey, there's a movie, too--Jack Nicholson's in it, so they'll just watch that, assuming that they'll get the "same thing out of it"--which is a shame. Ultimately this was King's attempt to actually write a literarily respectable novel with horror aspects (and he does stay true to horror; it's just not blood and guts all the time). I won't waste your time with the synopsis; the book is different than the film, but it's not that different and I can't say how it is even if I wanted to (which I don't), because the differences would be spoilers. It's a little scarier than Stanley Kubrick's film adaptation in principles and it had a better story; but the movie is easier to watch. However, if you don't mind a slower paced novel that builds up like tension from a rope being pulled further and further apart until it snaps like a stale jerky, then you should definitely read The Shining--and then make sure you read The Dark Tower series (at least the first four are phenomenal).

I finally tackled this book! And it was really good. I have never seen the movie but I still thought that I knew what to expect when I started this one but it was a bit different. There is a ton of hype surrounding this book and I fully expected this book to become an all-time favorite. It didn’t quite make that list for me but it was still a great read. After losing his teaching job, Jack accepts a position as the winter caretaker of the Overlook Hotel. Jack, his wife, Wendy, and their son, Danny will spend the winter alone at the hotel. Jack thinks that this will be the perfect opportunity for his family and hopes to finally finish the manuscript he has been working on. Jack’s 5-year-old son, Danny, seems to know things because of his special gift. He can sense that some bad things have happened in this historic hotel. This story felt ominous from the start. The more I learned about the hotel the more certain that I was that I would not want to visit. Whatever you do – stay out of room 217! Jack had his share of problems before taking on the job at the hotel and after a short period of time, he spirals into periods of madness and violence. Danny was really the star of this novel though. Being at the hotel was hard on this gifted boy who could see things others couldn’t but he proved to be incredibly brave. I really appreciated his connection with the former cook at the hotel, Mr. Halloran, quite a bit. I thought that Campbell Scott did a great job with the narration. I believe that this was the first time that I have listened to his work and I was rather impressed. I thought that he did a great job with the cast of characters in this story which included not only an adult male and female but also a child. I thought that he brought a lot of excitement to his reading and found myself wanting to listen for hours at a time. I would recommend this book to others. I thought that it was a very enjoyable story and I am thrilled that I am finally able to say that I have read it. My only complaint is that the story did feel overly long at times and bogged down a bit in some sections but overall it was a great reading experience.

Excellent book, I recommend it even more than the movie itself, which I love!

* This review is of the edition, not the story of the novel It is a relatively nice paperback, I really like the cover and the pages are really white. The book is weirdly narrow for its height, it's almost as if it had been chopped to small by in production but the text looks fine inside. It does however make it slightly uncomfortable to read, especially since the font size is rather small. The pages are a really nice, bright white and the font easy to read. The spine is somewhat durable, it not break or crease when I read it.

Leggere i lavori del maestro nella lingua in cui sono stati pensati e messi nero su bianco è tutta un'altra cosa. È l'autentico King. Ogni opera è un capolavoro, uno specchio dell'animo umano, una storia di crescita. Penso che It continui a essere il mio preferito in assoluto, ma sono estremamente grata di aver aggiunto questa perla alla collana di lavori del maestro che ho letto in lingua originale.

Es un libro magnífico, quizá exige un nivel de inglés alto para poder comprenderlo bien.Es mil veces mejor que la película,sin ninguna duda. Ahonda muchísimo en la historia de los personajes principales, se podría decir que la película es un vago resumen del libro, con un final completamente distinto además. Vas viendo como Jack se vuelve completamente loco, y además le entiendes a la vez que le odias. Entiendes por qué han llegado al hotel, todo lo que va pasando allí, etc. No he leído nada más de Stephen King,pero es sin duda de los libros que más he disfrutado!

Thrilling, chilling in every way. A book that will scare the heck out of you and yet will draw you in so brilliantly that you feel you are right there in the notorious Overlook Hotel.