Niklas Leepe, the demon violinist who brings a whole new design to their known work and revitalize the modern day. The "Four Seasons" of Vivaldi is a new challenge! Niclass Liepe/Rachel Portman: Tipping Points, Vivaldi-Wolf-Kerschk: New For Seasons Nickra Leepe, a sharp violinist based in Hamburg. In 2017, Liepe and Co. Festival founded "Liepe & Co. Festival" in a steel warehouse near the South Station of Hanover and expanding the classic music. Released in 2018, the "Paganini Project" has collected various arrangements of the famous "24 Caprises", and coexisting Foxtrot, tango, jazz and overflowing romanticism in the "Goldberg Reflections" has been added to the editors of Andreas Talkmann and various contemporary composers to excite. A new and colorful way to ting! Bach has been revived to the modern day. Liepe's latest album includes the new Tipping Points from Rachel Portman, known for its movie music composites such as Oscar awards, and a whole new version of Vivaldi's Four Season. The six-part song "Tipping Point" commissioned for the Violin and Orchestra commissioned for this album depicts portman's diverse brushstrokes to reveal the unsurpassed beauty of the four elements: air, dirt, water, and fire. Portman's work is paired with a poem from British writer Nick Drake themes of the planet's crisis due to climate change, and CD2 features recitations by British actress Grain, Drom Ghoul. Also includes 3 songs from Portman's Opera "Prince of the Stars" and a new version of Portman himself for the Violin and the Orchestra. Playing is based on the WDR broadcast tube, directed by Erina Yachashima, the first capel meister of Berlin Cormisheopar. The second piece of this album is still a world first recording and is a new "cinematic orchestra version of Vivaldi's famous "Four Seasons" collaboration book by scriptor and composer Wolfe Kerschk. The packaging is made of environmentally friendly paper and comes with a booklet with an explanation of Portman's work by Nick Drake, a Poem of Drake, and a booklet of Vivaldi by Wolph Keschek.
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