The Architecture of Happiness

To read De Botton is to go on a journey to places at once unexpected yet familiar; for example, one point is supported by reference to a diagram of nose shapes and sizes. His books teach rather than exposit; they do not lack for a direct thesis--they make arguments and reach conclusions. In this book on architecture the point is made that we have a responsibility to create something that is worthy of the natural surroundings that will be altered by the creation. We have the ability and resources to transcend mere engineering concerns and the argument is made in this book that we have a duty to do so.Obviously we cannot live the modern life stuck out in a meadow, no matter how beautiful the scenery--but our author argues that is equally difficult (or pointless) to live in a community of soulless boxes, that architecture which fails to honor aesthetic ideals is a failure even if it keeps the weather out. Good architecture is the result not of adherence to classical ideals, budget measures or engineering goals but of a balance achieved among the almost infinite range of available architectural choices.The author understands that in order to bring his reader to an appreciation for balance in architecture that he must provide a context--he has to demonstrate when things are out of balance. De Botton excels in providing just the right amount of history, pictorial evidence, contemporary example and discussion--in fact, his presentation is itself artfully balanced and perfectly suits his theme. There may be disagreements about the thesis; however, I think that the quality of the writing is worthy of any superlatives. Anyone familiar with Michael Palin's travelogues knows that they can't be missed regardless of the destination--Mr. Palin is unfailingly respectful of tradition but never misses an opportunity for a witty remark. So likewise are Mr. De Botton's books. Regardless of his chosen subject, he has earned my trust--I'll read whatever he chooses to print.Highest Recommendation

Alain de Botton's Architecture of Happiness is a humanist's guide to understanding built environments. Finding room to appreciate both classical and contemporary architecture, de Botton resolves the quarrel between the ancients and the moderns by suggesting that every architecture strives to provide the conditions for happiness. "What works of design and architecture talk to us about is the kind of life that would most appropriately unfold within and around them. They tell us of certain moods that they seek to encourage and sustain in their inhabitants." (72)Although the book is dedicated to the pursuit of happiness, its best moments are shot through with midlife melancholy. De Botton reflects on the ache inspired by an eighteenth-century ornament: "The ceiling is a repository of the qualities the man would like to have more of in himself: it manages to be both playful and serious, subtle and clear, formal and unpretentious ... it has a profound unsentimental sweetness, like that of a smile breaking across a child's face" (148-9).The book itself is founded on the double premise that our surroundings affect our moods and modes of living, yet "will only ever constitute a small, and imperfect protest against the state of things" (25). De Botton, that is, believes deeply, very deeply, that architecture matters, but he does not suffer from the self-importance of the professional architect. Phew.What excites me most about de Botton's work, however, is his ability to weave design, literature, and philosophy into a mode of discourse that speaks with an eye to illumination, not obscurity. The writing is too beautiful to be reduced to a set of "take-aways," the emerging tin standard for public speech, yet de Botton uses page breaks and illustrations to escape the mesmerizing movement of his own syntax. Could this be ... the typography of happiness?

De Botton goes ahead and quotes thinkers and poets and scientists and writers like Maria Rilke, Le Corbusier, Freud, etc. He talks about art and more specifically architecture and design with a very poetic and philosophical approach. He asks questions like the meaning and value of beauty, how buildings talk, the moral messages behind design and how architecture “renders vivid to us who we might ideally be”. He also guides the reader through the “journey” of architecture and all the different movements and styles, which always end up being influenced by the social context of the era (so it’s full of worthy information, facts, theory and history).I will quote a paragraph that I really liked because it perfectly explains not only the importance but the urge to put all of our hearts and minds into designing beautiful things:“To describe a building as beautiful therefore suggests more than a mere aesthetic fondness; it implies an attraction to the particular way of life this structure is promoting through its roof, door handles, window frames, staircase and furnishings. A feeling of beauty is a sign that we have come upon a material articulation of certain of our ideas of a good life.”De Botton never fails to touch my heart so it's no surprise this book definitely did it.