Resistance: Book 1 (Resistance, 1)

Resistance, the first in a new trilogy of graphic novels about the French Resistance during World War II is a worthy addition not only to graphic novel collections but also to the wealth of Holocaust literature for children and teens.The author opens the story by providing some necessary historical background on the Nazi innovation of France in 1940 and the subsequent division of the country into Occupied France, run directly by the Nazis, and "Free France," run by the Vichy government, who collaborated with the Nazis. Paul, a budding artist, his sister, Marie, and his mother live at the Hotel Tessier; Paul's father is a prisoner-of-war. Paul's own drawings, with ragged edges that make it look as if they were torn straight from his sketchpad, provide a running commentary on the plot, and are interspersed with the story panels, offering his personal insights into the characters he encounters.However, Paul's problems are nothing compared to those of his friend Henri Levy, a Jew who they hide in their wine caves when the Nazis take over their hotel. As the Nazis begin deporting Jews and closing Jewish businesses in the Occupied Zone in 1942, Paul, Marie and the other children in the town struggle to understand what is going on. "Is it bad to be Jewish?" Marie asks her brother. "Of course not," he replies, but he's unable to explain to her why the Jews are being taken away.When Paul learns of the secret Resistance movement fighting in many ways against the Nazis, he wants to help. While initially he's told he's too young, the local leader realizes that young children could be perfect for transporting information, since no one would suspect them. Soon they are given a test, to see if they are trustworthy. Paul's drawing talent even comes in handy, when he is asked to draw vehicles the Nazis have at the hotel and anything that they install on the grounds. Quickly they are entrusted with a dangerous mission--transporting information to Paris right under the Germans' noses--and helping their Jewish friend Henri locate his parents. The suspense builds on the train ride, as violence erupts. Will Marie and Paul be able to complete their first mission successfully?Jablonski does a terrific job in recreating the confusion and moral ambiguity of the period. In a thoughtful Author's Note at the conclusion of the story, she discusses the role of ordinary people who took action against the Germans to liberate France. However obvious right and wrong seems to us now, Jablonski points out that there "are different versions of 'the truth,'...History as lived is anything but clear!...what seems obvious to us now was probably not at all obvious to anyone then." She emphasizes the difficulty of making choices--even if that choice was doing nothing. Purvis' illustrations, ranging from his grim depictions of Nazi roundups and deportations, colored in dark tones of blue and gray, to the angst-filled expressions on the passengers' faces while having their documents inspected by Nazi soldiers on the trains, greatly enhance the suspense and drama of the story.

This is a great follow up, even a great alternative, to the popular Maus. The terror of the Holocaust is more real and the perspective of the children involved is such a great choice for a book addressed to children.

The story is good, though it gets going a little late. The illustrations are okay, but the sequential art is a bit off. I've been reading comics for 30 years, and sometimes I was confused as to which word balloon was next. Bought it at a discounted rate. It was worth it.

important and intersing story

13 year old loved it!

My 12 year old loved this series!

Read so I could bring to school and have my middle school students read. It is a good introduction to WWII and the holocaust

In 1942, Paul and his little sister Marie live in the unoccupied region of France. Even though the Germans are supposedly not in control of their part of the country, the people in that region still face food shortages and other hardships. Paul and Marie's father is a prisoner of war to the Germans and their friend Henri and his parents live in fear because they are Jewish. When those fears come true and Henri's parents are taken away, Paul and Marie decide to hide their friend. Soon all three are determined to do more than just hide in fear--they join the Resistance.The effectively eye-catching cover of this gripping historical fiction title almost makes joining the Resistance seem like a game, but the story inside shows readers that it was a hard decision for anyone to make, especially two young teens and a grade-schooler. Paul, Marie, and Henri are brave and determined, but they are also scared--exactly like the adults around them. It is showing readers how they move past that fear into action that makes this book a thought-provoking read. Jablonski doesn't make the mistake of having the children act like mini adults. They bicker, cry, and complain, just like normal kids their age. But they are also tired of being pushed around, as kids often are, and they decide to act. The adults around them can see the advantages to using children, even though some are more reluctant to do so than others. Ultimately, though, what is best for the cause is what is decided upon and so the kids can join. Their tasks aren't flashy, they don't wave around guns or anything like that, but what they do is still dangerous, deadly, and exciting to read about.Purvis, no stranger to historical fiction graphic novels for teens (he illustrated two of Simon & Schuster's Turning Points series), is at his most serious here, but he doesn't neglect artistry. Paul is an artist and his drawings permeate this story, complete with the ragged edges where they appear torn from his sketchpad. Sometimes those drawings reflect what is going on around him, but often they give readers a glimpse into his thoughts about what he is experiencing. It's a much more effective technique than merely telling readers and fits perfectly with a boy who is more comfortable drawing than working with words. The rest of the drawings in the book are careful not to make anything too perfect or too clean. Purvis has a thin-lined, loose style of drawing that is excellent at bringing his characters and settings to life, especially when he varies perspective within the panels. Hilary Sycamore's colors capture the freshness of a French vineyard and the horrors of a Nazi deportation.One death at the hands of soldiers is the extent of the violence, though there is some fighting, mostly between the children of the village, but nothing is beyond the appropriate level for a middle school library. Jablonski's author's note at the end offers some more information about the French Resistance and asks her audience hard questions about how they would act if they found themselves in Paul, Marie, and Henri's situation. It's a perfect end to an excellent book. Classes studying World War II will want to add this to their reading list and it is a good read-alike for books like Number the Stars.-- Snow Wildsmith

La new yorkaise Carla Jablonski est écrivain et éditeur d'ouvrages pour les adolescents et jeunes adultes. Elle a beaucoup publié mais c'est ici sa première collaboration avec le dessinateur Leland Purvis. Ce dernier est un auteur et dessinateur de comic books, plus particulièrement connu jusqu'à présent pour les séries N&B 'Vox' et ' Pubo '. Tous deux ont un website à leur nom-tout-attaché-point-com.'Resistance book 1', est le premier d'une BD trilogique. Le deuxième volume est paru au début de l'été 2011. Purvis met la dernière main à ce qui deviendra le 3è tome.Pour la France, la Seconde Guerre Mondiale représente un traumatisme énorme. L'armée allemande a pulvérisé la nôtre, projetant des millions de civils désemparés sur les routes. Avec l'armistice, la France est coupée en deux à plus d'un titre. Elle se met à expédier dans des trains de marchandises vers on-ne-sait-où (du moins au début) une partie de ses concitoyens. Pour parvenir à surpasser tout cela il faudra un De Gaulle et une Résistance acharnée. Ainsi qu'un peu de réécriture de l'Histoire et d'oubli pour redémarrer du bon pied dès 1945. Au fur et à mesure que les témoins de cette époque nous quittent, l'événement entre véritablement dans l'Histoire passée et un réexamen dépassionné se met en place, comme on a pu le voir avec l'acceptation récente d'une responsabilité d'Etat dans ce que la France a connu à cette époque.Dans ce contexte très sensible pour nous Français, il est particulièrement intéressant de lire cet ouvrage composé par des Américains pour un public de jeunes Américains, et qui a été bien reçu par la communauté juive aux USA. Surprise ! L'auteur des textes fait preuve d'une grande compréhension de la situation totalement exceptionnelle de la France en 1939-1940 pour ses habitants "lambda". L'histoire proposée prend place dans un petit village et implique des héros qui ont principalement l'âge du lectorat cible. Roman d'apprentissage écrit "à hauteur d'homme", ce premier volume de 'Resistance' expose le choix de jeunes de verser dans la Résistance, par amitié pour un jeune ami menacé par l'occupant puis par révolte contre ce dernier. Le style du dessinateur, très simple, sert l'histoire bien qu'il ne soit techniquement pas magnifique. Je vais acheter le volume suivant sans hésitation. Pubo

good cartooning and dialogues make this an enjoyable read

Colour illustrations of a story of a Jewish family in occupied France during WWII. The parents of a Jewish boy are arrested. The boy is given refuge by neighbouring children who then try to make contact with the Resistance, a difficult undertaking as Resistance fighters understandbly keep their activities secret, even from other family members. The heroism of ordinary people is what comes through from this story, and although it ends well, the reader understands that in reality similar stories ended tragically for hundreds if not thousands of families.