---
product_id: 11838454
title: "Canon EOS 6D EF24-105mm is STM Kit Black"
brand: "canon"
price: "€ 2406.38"
currency: EUR
in_stock: true
reviews_count: 8
category: "Canon"
url: https://www.desertcart.gr/products/11838454-canon-eos-6d-ef24-105mm-is-stm-kit-black
store_origin: GR
region: Greece
---

# 11-point High-Precision AF Built-in Wi-Fi & GPS 20.2MP Full-Frame Sensor Canon EOS 6D EF24-105mm is STM Kit Black

**Brand:** canon
**Price:** € 2406.38
**Availability:** ✅ In Stock

## Summary

> 🚀 Elevate Your Vision — Shoot Like a Pro, Share Like a Star

## Quick Answers

- **What is this?** Canon EOS 6D EF24-105mm is STM Kit Black by canon
- **How much does it cost?** € 2406.38 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.gr](https://www.desertcart.gr/products/11838454-canon-eos-6d-ef24-105mm-is-stm-kit-black)

## Best For

- canon enthusiasts

## Why This Product

- Trusted canon brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Seamless Wireless Workflow:** Built-in Wi-Fi lets you instantly transfer and share your shots, while GPS tags your location for effortless storytelling.
- • **Pinpoint Focus in Any Light:** 11-point autofocus system with a high-precision center cross-type AF point ensures razor-sharp images even in extreme low-light conditions.
- • **Stunning Full-Frame Clarity:** Capture every detail with a 20.2MP full-frame CMOS sensor that elevates your photography to professional-grade brilliance.
- • **Creative Control Meets Speed:** Shoot full HD 1080p video with manual exposure and snap action shots at 4.5 fps to never miss a moment.
- • **Ergonomic & Lightweight Powerhouse:** Compact design with intuitive controls and a bright optical viewfinder makes it the perfect travel and professional companion.

## Overview

The Canon EOS 6D EF24-105mm STM Kit combines a 20.2MP full-frame CMOS sensor with an 11-point autofocus system and built-in Wi-Fi/GPS, delivering exceptional image quality, low-light performance, and wireless connectivity. Ideal for professionals and serious enthusiasts, it offers full HD video, manual controls, and a lightweight, ergonomic design for versatile shooting on the go.

## Description

The Canon EOS 6D DSLR Camera with EF 24-105mm f/3.5-5.6 IS STM Lens is the best bundle for the professionals. The EOS 6D DSLR camera is the ideal tool for unlocking your creative vision. It features a 20.2 Megapixel Full-Frame CMOS sensor, a wide ISO range of 100-25600, expandable to L: 50, H1: 51200, and H2: 102400, for incredible image quality even in low light, and a DIGIC 5+ Image Processor delivers enhanced noise reduction and exceptional processing speed. A new 11-point AF including a high-precision center cross-type AF point with EV -3 sensitivity allows focusing in extreme low-light conditions, and with continuous shooting up to 4.5 fps, you are ready to capture fast action. Full HD video with manual exposure control, multiple frame rates, and the benefits of a Full-Frame sensor provides stunning performance and creative flexibility. The built-in Wi-Fi transmitter allows you to wirelessly transfer your images to social networking sites through CANON iMAGE GATEWAY, or upload virtually anywhere from your iOS or Android smartphone with the free download of the EOS Remote app. You can use your smartphone for remote camera control and operation (with the EOS Remote app), or even print your images on a Wi-Fi compatible printer. Perfect for travel and nature photography, the built-in GPS allows location data to be recorded while shooting. Compact, lightweight, brilliant low-light performance, and loaded with easy to use features, the EOS 6D is truly the Full-Frame DSLR camera for everyone.The 20.2MP full-frame sensor pairs with the DIGIC 5+ image processor to realize notable sensitivity to an expanded ISO 102400, a continuous shooting rate of 4.5 fps, and full HD 1080p video recording. An apt 11-point AF system incorporates a center cross-type focus point for heightened low-light accuracy and an iFCL 63-zone dual-layer metering sensor ensures consistent exposure values regardless of lighting conditions. Complementing the imaging versatility of the 6D is the

Review: Upgraded from a T2i crop to the 6D - I upgraded from a Rebel T2i w/ 18-135. Here's are my thoughts after taking the camera out on a shoot last night with the 24-105mm L. Ergonomics: Coming from a T2i, one thing that was incredibly difficult to get used to was where the ISO button is located at. It's no longer an isolated button but now a part of a group of 5 other buttons. The buttons are laid out as AF -> Drive -> ISO -> Metering -> LCD light. On the 5D MK3, the buttons are Metering/White balance -> AF/Drive -> ISO/Exposure -> LCD Light. The reason this is important is because from an ergonomic perspective, it's normal to just shift your right index finger from the jog wheel straight down to the ISO button and it's the first button right there. On the Canon 6D, I have to move my finger down and shift it over. I'm getting used to it, but I can't count how many times I've tried to change my ISO and I kept hitting the Metering button and kept taking my eye out of the viewfinder to make sure I didn't change any metering values. Luckily, even if you hit the metering button, settings don't change until you move the jog wheel. So if you're looking through the viewfinder and you hit a button and ISO doesn't show up, then shift your finger left one button. I'm sure this will just take time getting used to. The viewfinder is significantly brighter which was something I never appreciated until using the 6D. In regards to the focal points, the number of focal points seems to make a larger impact on this full frame camera than it did on my crop body (which only had 9 AF points which seemed plenty on the T2i) That is, all 11 of the focal points are towards the center of the frame and on the full frame it seems like there's a lot of places left "open" with no focal points. In other words, it seems like the focal points only cover about 50% of the viewfinder coverage whereas on my crop body (with only 9) it felt like the focal points covered 75% of the viewfinder. Does this matter in the real world? I've not yet to run into any problems, and I suppose one could always use live view focus if for whatever reason one needed a much more precise focus than the 11 AF points. The quality of the center AF point however is superb, and I was surprised I was able to get focus in some situations where my crop body failed in low light situations. In regards to low light image quality, I hated using anything ISO 3200 or higher on my crop body. Pictures were usable but often image quality suffered in graininess and I wouldn't use them for anything professional and even ISO 1600 was borderline but acceptable on my T2i. On the 6D however, I am impressed with the images at ISO 6400, and so far pretty good results at ISO 12800 as well. This was actually one of the biggest driving factors in me upgrading from a crop to a full frame, and I can say that the 6D does not disappoint in this regard. The in-camera HDR is pretty effective. I was surprised at how easy it was to take HDR images without a tripod and have them automatically stitch together and still come out looking good. I am of the mentality that there are certain photos that HDR absolutely adds to a picture, but other times it can distract. The fact that it's so easy to get an HDR picture without a tripod in the field is definitely a plus for me. Keep in mind though that the HDR function will only be available if you are shooting in JPEG mode, so if you're currently set in RAW you'll have to change that setting before setting up the in camera HDR. Once you're finished with any HDR shots, you'll also have to remember to put your camera back in RAW mode. Another nice feature is that there are different raw sizes. RAW - 20MP @ 5472x3648, RAW(M) - 11MP @ 4104x2736) and RAW(S)- 5MP @ 2736x1824. Exactly what it sounds like, but something I wasn't used to seeing on my T2i which always shot in full-size RAW. So if I'm just going out not doing anything serious, it's nice to have the option of a smaller file size while still retaining the benefits of a RAW image. Then again, if I'm not doing anything serious, I would probably just use a cell phone camera. Therefore, neither a pro or a con. In regards to the Wifi features, I will say that the remote EOS app (Android and iPhone) is a far better solution than an articulating screen. When doing self-portraits, it is nice to be able to frame the picture with your phone remotely (remote shooting feature). After my shoot last night, I connected my phone and stuck the camera in the bag as I walked to my car. It felt a lot nicer reviewing my pictures through my phone (and deleting the ones I didn't like) using a touch interface. This is not necessarily a pro or a con, but it was refreshing and I found it to be a better solution as I could zoom with two fingers, pan, etc. I can also see that having a tablet with a larger screen would be useful in reviewing photos in the field. One other thing to mention is that transferring RAW files is pretty slow wirelessly, and it's probably quicker to just pop out the card and stick it in than it is to turn on the wifi settings in camera and then connect through the app. Overall, I'm very satisfied in the upgrade from a T2i to this 6D and I feel it was the correct choice over the 5D MK3 for the following reasons (in order from greatest to least benefit: Slightly better ISO performance (1/2 stop from what I read) over the MK3 -- This may simply be due to the lower resolution / MP count. Slightly improved (-3EV) center focus (as opposed to the -2.5EV on the MK3) ~$900-$1000 dollar price difference Wireless / Remote EOS app. (The MK3 supports this but at the cost of a $500 dollar add-on) The MK3 would be a better choice because: More focal points Slightly higher resolution Location of the ISO button (just my opinion) Dual Card slots (although for me this has zero purpose.) Faster FPS (also has zero purpose cause if I ever need to 'machine gun' my camera 4.5 FPS a second is still plenty fast on the 6D) Update: Canon has released a statement saying that they will allow the center point of the 5Dmk3 to autofocus at F/8 with a firmware update in April of 2013. That opens up a lot of cheaper lens solutions (100-400L 4-5.6) to be used with a 1.4TC to have a max reach of 580mm while retaining autofocus at f/8. This may have been a bigger decision point had I had known about this before purchasing the 6D. However, to the 6D's support, you can swap out the standard focusing screen with an EF-S focusing screen for manual focus. There's also live view focusing, so it's not really a dealbreaker. Update: 1/1/2013 Couple of additional thoughts as I've had this camera. The EOS Remote shooting app for Android and iOS is really a great thing to have on a camera. I just got back from vacation with family and friends and as soon as I took a family photo (some were of people who I didn't know) I was able to ask them for their phone or email address and immediately send it to them. Almost like a modern day Polaroid. I also was able to get impromptu shots of me with my friends by setting the camera on my camera bag and doing the framing with the three of us sitting in front of a fireplace. I've also thought about the lack of dual card slots a bit more, and I think that if you're going to earn money off your camera it might be better to get the 5D MK3 just in case you happen to have a card failure while shooting a wedding or other one time events that you can't reshoot. It's nice to have the extra insurance, but that's about all it gives you. Granted, I doubt a card failure would happen during an important shoot, but it's possible and could prevent you from delivering a product. I think if you're team photographing that this camera supplements a 5dmk3 well, but I like the extra insurance of having backups *just* in case a card failure were to happen as a single shooter. Certainly not a deal breaker by any means, but just food for thought.
Review: Game changer... - I remember the first time I used the original Canon Rebel. That glorious feeling of going from a digital point-and-shoot to a real SLR... the feel of the body, the satisfying ka-click of a real shutter, the depth of field, the control... I was hooked immediately. After later evolving to a 40D and then to a 60D, I never thought I would have that "oh wow" feeling again until I took a wild chance and spoiled myself. The 6D arrived, and from the moment I looked through that big, bright (and wide!) optical viewfinder, and experienced the amazing flick of the new "silent" shutter, as good as the 60D was, I felt I had jumped to a whole new level. I was not anticipating the new shutter - it's amazing - soft and quiet and very professional with very low volume and vibration. The feel of this thing is like the first time you throw a perfect shifter in a high-end sports car, or slip your arm around a beautiful woman. Okay, maybe that's a bit too poetic... but trust me, you'll find yourself wanting to pull out this baby and flick off a new photo every chance you get. And that was just the start... I turned on the GPS (indoors) and took a few photos a minute later - downloaded them into Lightroom - and LR showed me a satellite view of my house, right down to the corner of the house in which I took the photos! I could not believe how accurate, and how quickly it acquired its location. I haven't used it extensively, but the built-in wi-fi capabilities are pretty amazing too. View images and control your camera remotely from a smartphone or tablet. It transmits a live picture to your device (in my case, a Galaxy Android tablet) and let's you make a few adjustments remotely. It would be nice if it gave you a little more control though. You can also put it into DLNA mode to share with other devices on your network. Once I turned it on, my Playstation3 instantly saw the camera and allowed me to surf through the photos that were still on the camera on my lap. Pretty neat. I wish the UI guys had spent a little more time on the wifi profile menus - they are a lot less intuitive than the other settings. But it works well. I am amazed at the high-ISO performance and it's noise reducing DIGIC 5 processor! You can push it to ridiculous heights before it becomes obvious at anything but pixel-peeking levels. Even the 50,000 and 100,000 ISO range, while obviously noisy, are an acceptable "better than not getting the shot at all", and anything up to 3200 is barely noticeable unless you pixel peek. EVen images shot at 12,500 look pretty good once passed through the noise and color filter in Lightroom. In normal ISO ranges, colors are exceptionally vibrant and solid. The HDR feature is nice, but gives a bit more muted, low-contrast look than I usually achieve doing it manually with Photomatix. I'm not sure I would depend on it for taking realistic photos, but I look forward to really putting it through its paces soon. [UPDATE: I was too kind. The HDR feature is pretty much worthless in my opinion. It just doesn't do very good job. I've quit using it.] I went to a large local photography club the day after I bought it and they were showing off how you could buy a GPS accessory for their 7D for "only" a few hundred dollars, or a wifi/tablet app for a couple of hundred dollars more, and they had all these doo-hickeys hanging off their camera, and there I was, holding this little marvel with all of this built right in, and for a price that, while certainly not inexpensive, is a bargain within the category of full-frame cameras. Naturally, if you're not aware, as a full-frame camera, the field of view is much wider. That nice, inexpensive f2.8 Canon 40mm pancake lens now becomes a real joy to use with this camera. I splurged and got the kit with the 24-105L lens, which seems to be a wonderful lens, but I will withhold my full review of the lens until I get more time in the field with it*. There is no built-in flash, which does not bother me as I hate the harsh on-board flash, and with the low-light capabilities of this camera, it becomes even less necessary. Of course you can still use a Speedlite. If you have anything prior to the 60D, you will love this upgrade. And if you can spare the cash, it's even a big step up from the 60D as well. This thing is a game changer. Don't skip paying the rent or buying food for your children to buy one, but it's well worth skipping a few luxury items and pampering yourself with this exceptional piece of technology. * Update: still adore this camera, but I've got good news/bad news regarding the lens. I spent hours doing side-by-side pixel-peeking comparisons between this expensive (24-105L) kit lens, and the much cheaper 28-135 kit lens that came with my 40D - a lens I always considered an "average" quality lens. You can easily spend 3 times more for the L series 24-105, yet when I compared identical images side by side I found very little to justify the fancy new lens. The build quality and styling is definitely better, and the lens zoom doesn't creep on you when you angle the camera downwards, and if focused perfectly, the L has a little better edge sharpness, but this full-frame sensor on the 6D really brought the old 28-135 to life - the majority of the frame was even sharper, and with better contrast than the L! I would have thought that a full-frame camera would magnify the deficiencies of the cheaper lens, but it really took fantastically detailed images. I have no explanation. I have no real complaints about the 24-105L, other than I was utterly disappointed that it did not stomp on its much cheaper little brother. So... nice lens, but this camera made the old lens pretty nice too. It would be tough to justify buying this lens again. I'd at least do some comparison shopping.

## Features

- Newly designed 20.2 Megapixel Full-Frame CMOS sensor
- New 11-point AF including a high-precision center cross-type AF point
- iFCL Metering with 63-zone dual-layer metering sensor that utilizes AF and color information
- Built-in Wi-Fi transmitter allows you to wirelessly transfer your images to social networking sites
- EOS HD Video with manual exposure control and multiple frame rates

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B00RKNMFLM |
| Aperture modes | F4.0 |
| Are Batteries Included | Yes |
| Aspect Ratio | 3:2 |
| Auto Focus Technology | Contra, Multi area, Phase Detection, sensor |
| Autofocus | Yes |
| Autofocus Points | 11 |
| Best Sellers Rank | #215,454 in Electronics ( See Top 100 in Electronics ) #329 in DSLR Cameras |
| Bit Depth | 14 Bit |
| Brand | Canon |
| Built-In Media | Battery Charger LC-E6, Battery Pack LP-E6, Camera Body Only, Camera Cover R-F-3, EF 24-105mm f/3.5-5.6 IS STM Lens, Eyecup Eb (Not Shown), Lens Cap E-77U (Not Shown), Lens Dust Cap E (Not Shown), Lens Hood EW-83H, Stereo AV Cable AVC-DC400ST, USB Interface Cable IFC-200U, Wide Neck Strap EW-EOS 6D |
| Camera Flash | F3.5–F5.6 |
| Camera Lens | EF 24-105mm f/3.5-5.6 IS STM lens |
| Color | Black |
| Compatible Devices | Wi-Fi enabled devices, USB 2.0 compatible devices, wireless printers, and Canon EF mountings |
| Compatible Mountings | Canon EF |
| Connectivity Technology | Wi-Fi |
| Continuous Shooting | 4.5 |
| Customer Reviews | 4.7 4.7 out of 5 stars (1,072) |
| Digital Zoom | 4.3 x |
| Digital-Still | Yes |
| Display Fixture Type | Fixed |
| Display Resolution Maximum | 20.2 MP |
| Display Type | LCD |
| Dots Per Screen | [Minimum] 640 x 480 pixels |
| Effective Still Resolution | 20.2 MP |
| Expanded ISO Minimum | 100 |
| Exposure Control | Manual |
| File Format | RAW |
| Flash Memory Bus Interface Type | SDHC |
| Flash Memory Speed Class | 10 |
| Flash Memory Type | SD |
| Flash Memory Video Speed Class | Class 10 or higher |
| Flash Modes | Auto, On/Fill, Off, Slow Sync |
| Flash Sync Speed | 1/180_sec |
| Focus Features | Autofocus |
| Focus Mode | Single-Servo AF (AF-S) |
| Focus Type | Auto Focus |
| Form Factor | DSLR |
| Global Trade Identification Number | 00013803241709 |
| HDMI Type | Type C Mini HDMI |
| Hardware Interface | USB |
| Has Color Screen | Yes |
| Image Capture Type | Stills & Video |
| Image stabilization | Sensor-shift |
| Item Weight | 1280 Grams |
| JPEG Quality Level | Fine |
| Lens Construction | 17 elements in 12 groups |
| Lens Type | Zoom |
| Manufacturer | Canon Cameras US |
| Maximum Aperture | 3.5 f |
| Maximum Focal Length | 105 Millimeters |
| Maximum Image Size | 20 MP |
| Maximum Shutter Speed | 1/4000 Seconds |
| Metering Methods | Evaluative |
| Minimum Focal Length | 24 Millimeters |
| Minimum Shutter Speed | 30 Seconds |
| Model Name | Canon EOS 6D |
| Model Number | 8035B106 |
| Model Series | EOS |
| Movie Mode | Yes |
| Night vision | No |
| Optical Zoom | 4.3 x |
| Photo Filter Size | 77 Millimeters |
| Photo Sensor Resolution | 20.2 MP |
| Photo Sensor Size | Full Frame (35mm) |
| Real Angle Of View | 84 Degrees |
| Recording Capacity | 1.5 Minutes |
| Remote Included | No |
| Screen Size | 3 Inches |
| Sensor Type | CMOS |
| Shooting Modes | Manual |
| Skill Level | Amateur |
| Special Feature | Wi-Fi Transmitter, GPS Enabled |
| Specific Uses For Product | Photography, Videography |
| Supported Image Format | JPEG, RAW |
| Total Still Resolution | 20.2 MP |
| Total USB 2.0 Ports | 1 |
| Total USB Ports | 1 |
| Total Video Out Ports | 1 |
| UPC | 013803241709 |
| Video Output | HDMI |
| Video Resolution | FHD 1080p |
| Viewfinder | Optical |
| Viewfinder Magnification | 0.71x |
| Warranty Description | 1 year coverage for labor, 1 year coverage for parts |
| White Balance Settings | Auto, Cloudy, Daylight, Flash torch |
| Wireless Technology | Yes |
| Write Speed | 4.5 fps |
| Zoom | Optical Zoom |

## Product Details

- **Aspect Ratio:** 3:2
- **Compatible Mountings:** Canon EF
- **Expanded ISO Minimum:** 100
- **Image Stabilization:** Sensor-shift
- **Maximum Aperture:** 3.5 f
- **Maximum Focal Length:** 105 Millimeters
- **Metering Description:** Evaluative
- **Optical Zoom:** 4.3 x
- **Photo Sensor Technology:** CMOS
- **Supported File Format:** RAW

## Images

![Canon EOS 6D EF24-105mm is STM Kit Black - Image 1](https://m.media-amazon.com/images/I/71hNFID61DL.jpg)

## Available Options

This product comes in different **Configuration, Style** options.

## Questions & Answers

**Q: what's the limit for shipping? it can't be shipped to Chicago. why? what wrong with the item?**
A: Amazon has a real problem with scam "sellers" of camera equipment on their site -- the gig seems to be that they put an email address in the seller description in order to communicate with you outside of Amazon, where they will try to get you to buy Amazon gift cards to submit to them through email. Of course, they won't ship you the items if you send them funds in this unverifiable way. I went through this process with one seller to see what the game was (I did not complete the "purchase"). The seller referred to the gift cards as "Amazon Payments", but Amazon Payments is something different. You will have no recourse if you send funds this way. Some may put rediculous restrictions on shipping (like your issue) to avoid getting dinged for not completing transactions through Amazon. It's a way they can try to avoid automatic detection by Amazon.

**Q: What is the advantage offered by a full frame camera vs one with an APS-C sensor?**
A: The APS-C sensor is smaller, it means less pixels, less details, less light ?? , in other hand with full frame your lens are used at 100%, don't need to multiply for 1,6 as usual (for example a 24 mm Wide lens will be a 38 mm in fact) choose full frame!more info at http://en.wikipedia.org/wiki/Image_sensor_format

**Q: What is the cheapest canon digital EOS SLR that has full frame image sensor?**
A: Canon 5D classic or mk 1 has no video recording capability. Only for pictures… Else with video recorder, Canon 5d Mk II  or 6D.

**Q: Is there an adaptor for using EFS lenses on this camera?**
A: No.  An EF-S lens is made specifically for the smaller APS-C sensor size.  This APS-C sensor is *around* 23x15mm.  The 6D has a larger full frame sensor, which is about 36x24mm.  If someone *did* build an adapter, the edges of the photo would be black since the EF-S lens couldn't fill the larger sensor.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Upgraded from a T2i crop to the 6D
*by D***N on December 9, 2012*

I upgraded from a Rebel T2i w/ 18-135. Here's are my thoughts after taking the camera out on a shoot last night with the 24-105mm L. Ergonomics: Coming from a T2i, one thing that was incredibly difficult to get used to was where the ISO button is located at. It's no longer an isolated button but now a part of a group of 5 other buttons. The buttons are laid out as AF -> Drive -> ISO -> Metering -> LCD light. On the 5D MK3, the buttons are Metering/White balance -> AF/Drive -> ISO/Exposure -> LCD Light. The reason this is important is because from an ergonomic perspective, it's normal to just shift your right index finger from the jog wheel straight down to the ISO button and it's the first button right there. On the Canon 6D, I have to move my finger down and shift it over. I'm getting used to it, but I can't count how many times I've tried to change my ISO and I kept hitting the Metering button and kept taking my eye out of the viewfinder to make sure I didn't change any metering values. Luckily, even if you hit the metering button, settings don't change until you move the jog wheel. So if you're looking through the viewfinder and you hit a button and ISO doesn't show up, then shift your finger left one button. I'm sure this will just take time getting used to. The viewfinder is significantly brighter which was something I never appreciated until using the 6D. In regards to the focal points, the number of focal points seems to make a larger impact on this full frame camera than it did on my crop body (which only had 9 AF points which seemed plenty on the T2i) That is, all 11 of the focal points are towards the center of the frame and on the full frame it seems like there's a lot of places left "open" with no focal points. In other words, it seems like the focal points only cover about 50% of the viewfinder coverage whereas on my crop body (with only 9) it felt like the focal points covered 75% of the viewfinder. Does this matter in the real world? I've not yet to run into any problems, and I suppose one could always use live view focus if for whatever reason one needed a much more precise focus than the 11 AF points. The quality of the center AF point however is superb, and I was surprised I was able to get focus in some situations where my crop body failed in low light situations. In regards to low light image quality, I hated using anything ISO 3200 or higher on my crop body. Pictures were usable but often image quality suffered in graininess and I wouldn't use them for anything professional and even ISO 1600 was borderline but acceptable on my T2i. On the 6D however, I am impressed with the images at ISO 6400, and so far pretty good results at ISO 12800 as well. This was actually one of the biggest driving factors in me upgrading from a crop to a full frame, and I can say that the 6D does not disappoint in this regard. The in-camera HDR is pretty effective. I was surprised at how easy it was to take HDR images without a tripod and have them automatically stitch together and still come out looking good. I am of the mentality that there are certain photos that HDR absolutely adds to a picture, but other times it can distract. The fact that it's so easy to get an HDR picture without a tripod in the field is definitely a plus for me. Keep in mind though that the HDR function will only be available if you are shooting in JPEG mode, so if you're currently set in RAW you'll have to change that setting before setting up the in camera HDR. Once you're finished with any HDR shots, you'll also have to remember to put your camera back in RAW mode. Another nice feature is that there are different raw sizes. RAW - 20MP @ 5472x3648, RAW(M) - 11MP @ 4104x2736) and RAW(S)- 5MP @ 2736x1824. Exactly what it sounds like, but something I wasn't used to seeing on my T2i which always shot in full-size RAW. So if I'm just going out not doing anything serious, it's nice to have the option of a smaller file size while still retaining the benefits of a RAW image. Then again, if I'm not doing anything serious, I would probably just use a cell phone camera. Therefore, neither a pro or a con. In regards to the Wifi features, I will say that the remote EOS app (Android and iPhone) is a far better solution than an articulating screen. When doing self-portraits, it is nice to be able to frame the picture with your phone remotely (remote shooting feature). After my shoot last night, I connected my phone and stuck the camera in the bag as I walked to my car. It felt a lot nicer reviewing my pictures through my phone (and deleting the ones I didn't like) using a touch interface. This is not necessarily a pro or a con, but it was refreshing and I found it to be a better solution as I could zoom with two fingers, pan, etc. I can also see that having a tablet with a larger screen would be useful in reviewing photos in the field. One other thing to mention is that transferring RAW files is pretty slow wirelessly, and it's probably quicker to just pop out the card and stick it in than it is to turn on the wifi settings in camera and then connect through the app. Overall, I'm very satisfied in the upgrade from a T2i to this 6D and I feel it was the correct choice over the 5D MK3 for the following reasons (in order from greatest to least benefit: Slightly better ISO performance (1/2 stop from what I read) over the MK3 -- This may simply be due to the lower resolution / MP count. Slightly improved (-3EV) center focus (as opposed to the -2.5EV on the MK3) ~$900-$1000 dollar price difference Wireless / Remote EOS app. (The MK3 supports this but at the cost of a $500 dollar add-on) The MK3 would be a better choice because: More focal points Slightly higher resolution Location of the ISO button (just my opinion) Dual Card slots (although for me this has zero purpose.) Faster FPS (also has zero purpose cause if I ever need to 'machine gun' my camera 4.5 FPS a second is still plenty fast on the 6D) Update: Canon has released a statement saying that they will allow the center point of the 5Dmk3 to autofocus at F/8 with a firmware update in April of 2013. That opens up a lot of cheaper lens solutions (100-400L 4-5.6) to be used with a 1.4TC to have a max reach of 580mm while retaining autofocus at f/8. This may have been a bigger decision point had I had known about this before purchasing the 6D. However, to the 6D's support, you can swap out the standard focusing screen with an EF-S focusing screen for manual focus. There's also live view focusing, so it's not really a dealbreaker. Update: 1/1/2013 Couple of additional thoughts as I've had this camera. The EOS Remote shooting app for Android and iOS is really a great thing to have on a camera. I just got back from vacation with family and friends and as soon as I took a family photo (some were of people who I didn't know) I was able to ask them for their phone or email address and immediately send it to them. Almost like a modern day Polaroid. I also was able to get impromptu shots of me with my friends by setting the camera on my camera bag and doing the framing with the three of us sitting in front of a fireplace. I've also thought about the lack of dual card slots a bit more, and I think that if you're going to earn money off your camera it might be better to get the 5D MK3 just in case you happen to have a card failure while shooting a wedding or other one time events that you can't reshoot. It's nice to have the extra insurance, but that's about all it gives you. Granted, I doubt a card failure would happen during an important shoot, but it's possible and could prevent you from delivering a product. I think if you're team photographing that this camera supplements a 5dmk3 well, but I like the extra insurance of having backups *just* in case a card failure were to happen as a single shooter. Certainly not a deal breaker by any means, but just food for thought.

### ⭐⭐⭐⭐⭐ Game changer...
*by J***Y on March 8, 2013*

I remember the first time I used the original Canon Rebel. That glorious feeling of going from a digital point-and-shoot to a real SLR... the feel of the body, the satisfying ka-click of a real shutter, the depth of field, the control... I was hooked immediately. After later evolving to a 40D and then to a 60D, I never thought I would have that "oh wow" feeling again until I took a wild chance and spoiled myself. The 6D arrived, and from the moment I looked through that big, bright (and wide!) optical viewfinder, and experienced the amazing flick of the new "silent" shutter, as good as the 60D was, I felt I had jumped to a whole new level. I was not anticipating the new shutter - it's amazing - soft and quiet and very professional with very low volume and vibration. The feel of this thing is like the first time you throw a perfect shifter in a high-end sports car, or slip your arm around a beautiful woman. Okay, maybe that's a bit too poetic... but trust me, you'll find yourself wanting to pull out this baby and flick off a new photo every chance you get. And that was just the start... I turned on the GPS (indoors) and took a few photos a minute later - downloaded them into Lightroom - and LR showed me a satellite view of my house, right down to the corner of the house in which I took the photos! I could not believe how accurate, and how quickly it acquired its location. I haven't used it extensively, but the built-in wi-fi capabilities are pretty amazing too. View images and control your camera remotely from a smartphone or tablet. It transmits a live picture to your device (in my case, a Galaxy Android tablet) and let's you make a few adjustments remotely. It would be nice if it gave you a little more control though. You can also put it into DLNA mode to share with other devices on your network. Once I turned it on, my Playstation3 instantly saw the camera and allowed me to surf through the photos that were still on the camera on my lap. Pretty neat. I wish the UI guys had spent a little more time on the wifi profile menus - they are a lot less intuitive than the other settings. But it works well. I am amazed at the high-ISO performance and it's noise reducing DIGIC 5 processor! You can push it to ridiculous heights before it becomes obvious at anything but pixel-peeking levels. Even the 50,000 and 100,000 ISO range, while obviously noisy, are an acceptable "better than not getting the shot at all", and anything up to 3200 is barely noticeable unless you pixel peek. EVen images shot at 12,500 look pretty good once passed through the noise and color filter in Lightroom. In normal ISO ranges, colors are exceptionally vibrant and solid. The HDR feature is nice, but gives a bit more muted, low-contrast look than I usually achieve doing it manually with Photomatix. I'm not sure I would depend on it for taking realistic photos, but I look forward to really putting it through its paces soon. [UPDATE: I was too kind. The HDR feature is pretty much worthless in my opinion. It just doesn't do very good job. I've quit using it.] I went to a large local photography club the day after I bought it and they were showing off how you could buy a GPS accessory for their 7D for "only" a few hundred dollars, or a wifi/tablet app for a couple of hundred dollars more, and they had all these doo-hickeys hanging off their camera, and there I was, holding this little marvel with all of this built right in, and for a price that, while certainly not inexpensive, is a bargain within the category of full-frame cameras. Naturally, if you're not aware, as a full-frame camera, the field of view is much wider. That nice, inexpensive f2.8 Canon 40mm pancake lens now becomes a real joy to use with this camera. I splurged and got the kit with the 24-105L lens, which seems to be a wonderful lens, but I will withhold my full review of the lens until I get more time in the field with it*. There is no built-in flash, which does not bother me as I hate the harsh on-board flash, and with the low-light capabilities of this camera, it becomes even less necessary. Of course you can still use a Speedlite. If you have anything prior to the 60D, you will love this upgrade. And if you can spare the cash, it's even a big step up from the 60D as well. This thing is a game changer. Don't skip paying the rent or buying food for your children to buy one, but it's well worth skipping a few luxury items and pampering yourself with this exceptional piece of technology. * Update: still adore this camera, but I've got good news/bad news regarding the lens. I spent hours doing side-by-side pixel-peeking comparisons between this expensive (24-105L) kit lens, and the much cheaper 28-135 kit lens that came with my 40D - a lens I always considered an "average" quality lens. You can easily spend 3 times more for the L series 24-105, yet when I compared identical images side by side I found very little to justify the fancy new lens. The build quality and styling is definitely better, and the lens zoom doesn't creep on you when you angle the camera downwards, and if focused perfectly, the L has a little better edge sharpness, but this full-frame sensor on the 6D really brought the old 28-135 to life - the majority of the frame was even sharper, and with better contrast than the L! I would have thought that a full-frame camera would magnify the deficiencies of the cheaper lens, but it really took fantastically detailed images. I have no explanation. I have no real complaints about the 24-105L, other than I was utterly disappointed that it did not stomp on its much cheaper little brother. So... nice lens, but this camera made the old lens pretty nice too. It would be tough to justify buying this lens again. I'd at least do some comparison shopping.

### ⭐⭐⭐⭐⭐ From 5d mark ii to 6d
*by J***H on March 1, 2013*

my update did not post********* I realize now that there is no FEC button on the 6d which is going to be an issue for me because I almost always use a spot metering preflash (star button) over people's face to nail correct exposures using bounce flash, and use the FEC button with the rear wheel to adjust according to skin tones (+1 for white people, -1 for dark skin, etc). While I've been able to make the "set" button on the 6d a FEC button, the FEC amount still shows up on the LCD screen instead of in the viewfinder, so you'll have to take your face away from the camera for a second. I'm sure I can work with this annoyance, but I'm pretty disappointed that canon took this button away from a camera that costs almost $2,000 (while the 7d has it and costs less). I guess they have to make you wish it was a 5d mark iii. Luckily, I still have my 5d ii so I'll probably end up using that more often when I'm using flash. Or maybe it won't be as bad as it seems it's going to be, and everything will be alright. I just wanted to make it apparent that this button is missing, and no matter what you do, you have to change the FEC on the LCD screen, not in the viewfinder. I'm leaving a 5 star rating because I'm still happy with the camera; the image quality is superb. ******************** I will be updating this review over time. I shoot mostly weddings and I have been using two canon 5d mark ii bodies, and just sold one to get this 6d. I have kept the other one, however. I will start by stating the obvious: The canon 5d mark ii is a great camera, even 4 years after it became available. In fact, it was so good when it came out that it still holds up to many of the brand new camera bodies that are out now, in terms of its sensor. I decided to buy this 6d to replace one of the 5d ii's I have after a friend sent me an ISO 6400 raw. At first it didn't seem any better, but it is, a little bit. In fact, it's just enough better than 6400 on the 5d mark ii for me to consider using it without hesitation. I've shot at 6400 with the 5d ii many times at weddings in situations where I didn't have a choice, and while it worked, the photos had to be heavily noise reduced and I only provided them at 2 megapixels to my clients. At 6400 on the 5d ii, there is noticeable color loss and dynamic range loss. You must get the exposure right because you cannot manipulate the file much without getting some intense noise and banding. The 6d file at 6400, however, gives you some room to play. You can correct exposures much more without ruining the photo, it retains better colors, and the noise is just a hair better- that is, in a scene with mostly black. In a brightly lit scene, the 6d's noise is substantially better, about one stop, maybe a little less. In video mode, it's a different story. Iso 12800 on the 6d in video looks like 3200 on the 5d ii, no kidding. I don't know how they did this but it's pretty amazing. I don't do much video work though. The 5d mark ii has a preferable button layout, which has been retained in the 5d iii. The 6d's layout are more rebel like and obnoxious, but I'll get used to it. I miss the joystick, as the directional pad on the 6d requires you to shift your hand, and it's pretty mushy. The 1/4000 shutter speed on the 6d would have been a deal breaker to me if I did not own a 5d ii as well, because using wide aperture primes during the day at 1/4000, is just not going to happen. At f1.4, I am often in 1/8000 territory, and some times I have to drop to iso 50 on top of that if using f1.2. the 1/200 strobe sync on the 5d ii is better than the 1/180 on the 6d, as well, and yes it matters. Build quality wise, there is no comparison. The 5d ii wins hands down. The 6d feels identical to a 60d, in my opinion. I'm careful with my gear so this is not a problem. Now to the AF system: I thought there would be no real improvement here, as it's the same crappy focus diamond canon loves to give to us unless we spend over 3k. Well, I was wrong, it's better, much better. I'm used to having to use the center point all the time and the center point on the 6d (rated tofocus at -3 EV vs -0.5 EV on the mark ii) is amazing. A few test shots outside in the city at night revealed perfect focus every time in almost total darkness. This will definitely be helpful in shooting weddings, since most of them are in caves. some other things to note; the 6d has silent shooting modes while the 5d mark ii can only do them in live view mode. Unfortunately the 5dii sounds like a gunshot during a quiet wedding ceremony, so the 6d will for sure be my main body during ceremonies. It's whisper quiet with silent shooting enabled. Last, the overall sharpness is better on the 6d, but it's not bad on the 5d ii at all. This is to be expected from a sensor that's in a brand new body vs one that's 4 years old. The 6d also does in camera lens correction which is very, very nice. So is it worth the extra price for the 6d over the 5d ii if you're looking for a first time full frame? Or is it worth switching from a 5d ii like I did? Maybe. It depends on what you shoot. If you shoot video, and do so in the dark often, absolutely. The 6d video noise is superior, by about two full stops, but only in the higher ISO range. Lower ISO is identical. If you do mostly studio work and outdoor portraiture: No. Save yourself 500 dollars or so and buy a used 5d mark ii. That money is best used elsewhere. 5d ii has better shutter durability and build quality, which will be more important to you. Lower ISO's look exactly the same as well. If you shoot weddings: Yes. The 6d does a better job in low light, and medium light shooting without flash. ISO 3200 is usable on the 5d ii, and 6400 if you really have to. But I'd go to 6400 and not even worry about it wiht the 6d. The -3 EV center point will be very helpful as well, though not as much as the 5d mark iii's autofocus system that frees you from ever having to focus and recompose again. In summary: if most of your shooting is ISO 3200 and below - save some money and pick up a used 5d mark ii. Canon just had refurbs on sale for $1400. I sold mine, with a canon battery grip, for $1400. You get more for your money. If you really need the slightly better low light performance, get the 6d.

## Frequently Bought Together

- Canon EOS 6D EF24-105mm is STM Kit Black
- SanDisk 128GB Extreme PRO SDXC UHS-I Memory Card - C10, U3, V30, 4K UHD, SD Card - SDSDXXD-128G-GN4IN
- Canon EF 50mm f/1.8 STM Lens

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